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Vorsis Fm 2000

Bekijk grote afbeelding

Vorsis Fm 2000

€ 6.560,00


"Natural Sound" De FM(AP)-2000 is de opvolger van de originele bekroonde VORSIS AP-1000 31-band audio processor, bijna een volledig nieuw ontwerp van het oorspronkelijke model. Zonder aanwijsbare Vingerafdruk van een eigen sound zoals bij andere merken, alles is mogelijk audio duidelijkheid, kwaliteit en volume • Meer functionele controle dan enige andere broadcast processor • Concurrerende loudness • laagste input / output latency van alle high-end processors on-air • Silence sensor • DSP -gebaseerde digitale stereo encoder • Analoge en digitale ingangen en uitgangen • Lineup toon generator met Bessel null kalibreringsfrequentie • Ingebouwde 100 Mbps Ethernet-switch voor aansluiting op TCP / IP-netwerken en nog veel meer !
De FM2000 is helemaal gelijk aan de AP 2000 met uitzondering van HD out

FM2000 XXL Pictures


Product Brochure (pdf)

FM2000 Software

FM2000 Digital Audio Processor (specs)

The AP2000 is the successor to the Vorsis AP1000 31-band audio processor.
Essentially a complete redesign of the original product, the AP2000 hardware is equipped with 30% more DSP horsepower, a completely overhauled five band AGC.
New voice distortion management technologies and a new, high-performance distortion managed clipper.
The five band AGC now incorporates Sweet Spot Technology (SST), a Vorsis exclusive, which manages the behavior of the five band AGC in real time to ensure that it always operates within its ‘Sweet Spot’.
Unlike broadband AGC algorithms of the past, SST is a completely new way to manage the five band dynamics controller to maximize the consistency of the station’s on-air presentation.
No matter what the source material or audio levels from source to program source.
The newly designed five band AGC also incorporates adjustable inter-band coupling to ensure a consistently set spectral balance regardless of program content.


- Thirty-one band Fine Grain Processor™
- Preprocessing via Five band or Three band AGC
- Exclusive Vorsis Multiband Dynamics Controller with Sweet Spot Technology (SST)
- Exclusive VBMS™ (Vorsis Bass Management System)
- FM peak control via oversampled lookahead limiter or specialized clipper
- Highly oversampled distortion masked clipper
- VoiceMaster voice distortion management
- Four band full parametric EQ sections
- Variable high pass filter and voice phase rotator
- Ethernet-based remote control with front/rear panel jacks
- Eight input GPI preset triggers
- AES3 digital input accepts 32kHz - 96kHz
- AES3 digital output automatically synchronizes to AES3 digital input
- Precision FM stereo MPX generator with multiplex mask filters to protect SCA and stereo pilot
- Front panel control via high-resolution LCD display, Track Pad, and Navigation buttons

Fine Grain” Processing

“Fine Grain” processing overcomes the limitations of previous methods of peak limiting in on-air audio processors.
Using 31 frequency bands, the AP2000 and FM2000 processors perform precision peak limiting without generating the artifacts associated with peak limiters having fewer bands.
Operating in very narrow frequency bands, the operation of the Fine Grain limiters goes completely unnoticed by the ear.
There are absolutely no ‘swishing’ artifacts; just increased on-air loudness and a revealing of subtle program details that result in increased “listenability” of the station’s programming.

Vorsis Bass Management System

The Vorsis Bass Management System (VBMS) circumvents bass-related distortion plaguing other broadcast audio processors.
It works by monitoring program energy in different parts of the audio spectrum while manipulating the behavior of the final peak limiter.
The result is increased bass impact and detail without affecting the clarity of mid and high frequency program — in fact bass detail and the clarity of higher frequency audio are actually enhanced by the VBMS algorithm.

Sweet Spot Technology

Sweet Spot Technology (SST) is embedded within the AP2000 and FM2000 processors and is responsible for managing the medium and long-term spectral behavior of the five-band AGC as program content changes.
It does so by internally monitoring and then managing certain internal parameters within the multiband AGC as program elements change – something a typical broadband AGC cannot do.
The result is an uncannily natural-sounding consistency in both on-air loudness and spectral balance regardless of variations in the incoming source material.


The cleanliness of announcer voice poses a challenge for broadcast audio processors when adjusted for maximum loudness. VoiceMaster addresses this by detectingvoice and then specially processing it to accurately control voice peaks prior to the main clipper. The result is absolutely pristine on-air voice regardless of how aggressively the processor may have been adjusted for music.


Smart Stereo Enhancement

Stereo Enhancement is a common feature in audio processors today. However our approach is a new technology we call Smart Stereo Enhancement.
It operates in the sum and difference domain and under the management of specialized automatic level and spectral management algorithms.
The result is an extremely stable ‘on-air’ stereo image that is wide, alive, exciting to listen to, and yet still natural sounding.
End users have reported hearing artistically important nuances in music that were simply inaudible after being processed by competing products.

System Level
Headroom: 20dB
Nominal Operating Level: -20dBFS
Analog Line Input
Type: Electronic
Input Impedance: > 10Kohm
Optimum Source Impedance: < 1Kohm
Digital Line Input
Data Standard: AES3 (AES/
Data Amplitude: Per AES3-
output signal
Input Gain Adjustment Ranges
Gain Adjustment: +/- 24dB
Gain Adjustment Increments: 0.5dB
Gain Calibration: A gain control
0dBFS signal
internal reference
Input Failsafe
Type: Automatic
Analog Fail Cause: Audio level
Response Time: 30 seconds
Digital Fail Cause 1: Audio level
Response Time: 30 seconds
Digital Fail Cause 2: Corrupted
Response Time: Immediate
Audio Level Balance
Type: Common
Analog/Digital L/R Balance Range: +/-12dB
Analog/Digital L/R Balance Increments: 0.5dB

Voice Symmetry Phase Rotation
Operating Modes: In/Out
Filter Type: 4th Order Allpass
Auto Monophonic
Auto Mono Modes: Off/On
Auto Mono Threshold: -40.0dB to 0.0 dB
Auto Mono Timing: Program Controlled
High-Pass Filter
HPF Filter Class: 24dB/octave Butterworth
Frequency range: 20Hz – 300Hz
HPF Insert Modes: Off / Stereo L/R / Sum/Difference
Equalization - Three sections of four-band Parametric Equalization
EQ Set 1 – routable to pre or post-five-band AGC.
EQ Set 2 – post-HD multiband limiter.
EQ Set 3 – post-FM multiband limiter.
Frequency: 20Hz – 20 kHz
Bandwidth: 0.2 – 3.0 octaves
Lift / Cut: +/- 14.0dB pre/post five band AGC
+/- 6.0dB post HD/FM multiband limiters
Five-Band AGC/Compressor
Operates in sum/difference, or ‘matrix’ mode with the gain linked at AGC time constants.
Drive Gain: -80.0dB to +6.0dB in 0.5dB steps
Makeup Gain Range: -20.0dB to +48.0dB, 0.5dB steps
AGC/Compressor Thresholds: - 50dBFS to -80dBFS
AGC Threshold Backoff: 0dB to -12dB
AGC Attack: 50mS – 1500ms (1.5 sec)
AGC Release: 100mS – 7.0 seconds
AGC Band Coupling: 0dB to -30.0dB, 0.5dB steps
Compressor Attack: 3.0mS – 1000mS (1Sec)
Compressor Release: 20mS – 1000mS (1Sec)
Ratio: 1:1 – 20:1
AGC Threshold: -20.0dB to -79dBFS, plus off
Gate Thresh Trim: +/- 6dB per band
Gated Modes: Ooze/Freeze
Gate Delay: 50mS to 500mS

SST Drive: +30.0dB to +40.0dB in 0.5dB steps
SST Ramp Rate: 500mS – 7.0 seconds
SST Gate Thresh: -6.0dB to -70.0dB in 0.5dB steps
SST Window Size: 0dB to 12.0dB in 0.5dB steps
Crossover Frequencies
Super Low to Low Band: 40.5 Hz to 120 Hz
Low to Low Mid Band: 149 Hz to 334 Hz
Low Mid Band to High Mid Band: 817 Hz to 1.59 kHz
High Mid Band to High Band: 2.52 kHz to 7.55 kHz
Band Output Trims, Sum: +/- 6dB
Band Output Trims, Difference: +/- 6dB
31 Band HD Output Peak Limiter
A four band parametric EQ follows the 31 band limiter and drives a zero-overshoot lookahead
peak limiter (or clipper for non-CODEC applications).
Overall Controls
Multiband Drive: 0 – 100%
VBMS Drive: +/- 10.0dB
VBMS Style: Off/ Soft/ Hard
VBMS Output: +/- 10.0dB
VBMS Frequency: 60 - 300Hz
Multiband Knee: Soft/ Hard
Multiband Threshold: +/-10dB relative to Drive
Multiband Attack: 0.1ms – 1000ms (1Sec)
Multiband Release: 30ms – 1000ms (1Sec)
Lookahead Limiter Threshold Trim: +/- 6.0dB
Lookahead Limiter Attack: 0.2ms – 100ms
Lookahead Limiter Release: 33ms – 330ms
Lookahead Limiter Delayed Release: 100ms – 1000ms (1Sec)
Clip Style: Off/Round/Deep (for non-CODEC use)
HD Output Level Trim: -79.95dB to +12.00dB, or OFF
Phase: L and R may be phase-reversed.
L and R Channels may be swapped.
Output Signal available as: AES 3-pin XLR (digital)
Stereo Analog (pair 3-pin XLR connectors)

31 Band FM Output Peak Limiter
A four band parametric EQ follows the 31 band limiter and feeds the VBMS with multiple
operating styles, then an oversampled, zero overshoot lookahead limiter or main clipper with
multiple operating styles, and then an FM diversity delay.
Overall Controls
Multiband/Drive: 0 – 100%
VBMS Drive: +/- 10.0dB
VBMS Style: Off/ Soft/ Hard
VBMS Output: +/- 10.0dB
VBMS Frequency: 60 - 300Hz
Multiband Knee: Soft/ Hard
Multiband Threshold: +/-10dB relative to Drive
Multiband Attack: 0.1ms – 1000ms (1Sec)
Multiband Release: 30ms – 1000ms (1Sec)
Limiter Mathematical Modes: Wide In/Out – Timbral In/Out
Pre-emphasis Modes: Off/50uS/75uS
Pre-emphasis insert points: Pre-MB Limiter
Pre-lookahead limiter
Post-lookahead limiter (pre-clipper)
Lookahead Limiter (Threshold) Trim: +/- 6.0dB
Lookahead Limiter Attack: 0.2ms – 100ms
Lookahead Limiter Release: 33ms – 330ms
Lookahead Limiter Delayed Release: 100ms – 1000ms (1Sec)
FM Output Level: -79.95dB to +12.00dB, or OFF
Limiter/Clipper Drive: +/- 42dB in 0.05dB steps
Main FM Clipper Styles: Off/Hard/Firm/Round
De-emphasis: Complementary as applied in pre-emphasis.
Output Signal available as: Pre or post diversity delay
AES 3-pin XLR (digital), and Stereo
Analog (pair 3-pin XLR connectors)

Stereo Encoder
Reference grade stereo encoder with embedded composite processing, test oscillator, SCA
digitizer, and balanced and unbalanced composite outputs.
Overall Controls
Stereo Width Limiter: 10% to 100% in 10%. steps, plus off
Stereo Pilot Injection: 0 – 20%, 0.1% steps
Stereo Pilot Phase: +/- 22.5 degrees reference to 38kHz.
SCA 1 Input: Analog, 10kohm input impedance,
+24dBu max. input level
SCA Input 1 Gain: -79.95dB to +10.00dB, or OFF
SCA 2 Input: Analog, 10kohm input impedance,
+24dBu max. input level
SCA Input 2 Gain: -79.95dB to +10.00dB, or OFF
TX 1 Output Level: -79.95dB to +6.0dB, 0.05dB steps, or OFF
TX 2 Output Level: -79.95dB to +6.0dB, 0.05dB steps, or OFF
May be selected to provide pilot tone only
Composite Processor Modes: Lookahead Limiter
Soft Clipper
Hard Clipper
Stereo Encoder Output Operating Modes: Analog L/R
Analog L/R De-emphasized
Unbalanced and Balanced Multiplex Outputs
TX 1/TX 2 Output Levels: Nominal output level range 1V - 4V RMS or
balanced from an XLR.
An advanced preset management system allows the creation, storing, and recall of 80 presets
within the AP-2000 itself and an unlimited number on a host PC. All signal-processing
parameters are contained in these presets, allowing the preservation of the complete processing
’environment.’ Optionally, Input and Output settings may be stored and recalled with presets.
Preset Encryption
Presets are encrypted using the AP-2000 internal 32 bit serial number as the encryption key.
Onboard Real-time clock
A highly accurate internal real-time clock allows the automatic recall of presets at predetermined
times. This clock may be set to ‘free-run’ or be synchronized to an external on- or
off-site SNTP server.

Day-Parting and Long-term Scheduling
A ‘weekly’ preset scheduling establishes a weekly cycle of preset changes, allowing for
automatic programmed day-by-day exclusions or additions.
Additionally, a separate long-term scheduling table permits the establishment of ‘one-off’
preset changes for any future time and date.
General Purpose Input (GPI)
Eight optically isolated inputs are slaved to the first eight preset slots.
Presets may be recalled by providing the appropriate voltage to the associated GPI port to
create a “Logic High” and may be either momentary or latching as desired. Voltages are
applied between the appropriate GPI pin and Common with the GPI pin being the most positive
voltage. Please see manual text for the required current limiting resistor for voltages above
Ethernet Interface
The AP-2000 contains a five-port, auto-sensing 10/100BaseT Ethernet switch with three
of the ports available on the outside of the unit for field use. Because the switch is auto-sensing
it is not necessary to utilize a crossover cable when connecting a PC directly to the AP-2000.
USB Interface
The front panel contains a standard USB port that is intended to be used with a local mouse
when the operator prefers a mouse over the front panel’s integral touchpad. This USB port is
not being serviced with software drivers for any other type of USB device that could be
attached including, but not limited to, USB memory sticks, wireless network interfaces and the
like. Attaching those devices to the AP-2000 may not damage them or the AP-2000; however
they are not likely to operate.
Software Remote Control
Supplied Windows® Vorsis GUI software affords control of all system and processing
parameters via a 10/100BaseT Ethernet interface. A front-panel color LCD screen and touchpad
allows complete local control of all system and processing parameters if desired.

Meerdere afbeeldingen

Bekijk de grote afbeeldingen door hieronder een kleine afbeelding te selecteren en daarna op de bovenstaande afbeelding te klikken.
Omschrijving Prijs Aantal  
Vorsis Fm 2000€ 6.560,00 
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